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115 letters to W R Aitken and his family of Hugh MacDiarmid, and four from Valda Grieve.
With manuscripts of a short story and essay of MacDiarmid, proof copy of "Sanschaw" and typescript copy of a thesis on MacDiarmid by Claude Henry.
Corrected proofs of Douglas Young, "An Appeal to Scots Honour".
Correspondence, papers and notebooks of J B S Haldane and correspondence and papers of his second wife Helen, née Spurway.
Galley proofs of "A Symposium on the After War Religion", unpublished work edited by Denis Saurat, and including an essay of Hugh MacDiarmid.
With five letters to Robert S Silver, three from Saurat and one each from MacDiarmid and Robert McLellan.
Papers concerning Denys Hay`s introductory essay, "Fiat Lux" to "Printing and the Mind of Man" (1967).
Including correspondence, typescript drafts and proofs.
Correspondents include John Carter, Percy Muir and Stanley Morison.
Papers concerning, "The Age of MacDiarmid. Essays on Hugh MacDiarmid and His Influence on Contemporary Scotland. Edited by P H Scott and A C Davis".
Comprising proofs, manuscripts and typescripts of essays, and correspondence.
Papers obtained by William Forbes Skene from the Reverend Mackintosh MacKay of Laggan (1800-1873).
Papers of and concerning Hugh MacDiarmid.
Includes manuscripts, typescripts and proofs of poems, essays, articles, reviews and autobiography, literary notebooks and correspondence.
Papers of Duncan Glen.
Including manuscripts, corrected typescripts, and proofs of poems, essays, bibliographies and other literary work.
With Duncan Glen, "Hugh MacDiarmid and the Scottish Renaissance", and poems of, and essays concerning, Hugh Macdiarmid.
'Recollections of my boyhood, with open-air-lessons of later years, by Thomas Edward (of Banff, shoemaker)’.
Four letters, 1883-1884, of Thomas Edward to David Douglas, bookseller, Edinburgh; proofs of Edward's apparently unpublished 'Recollections', as in MS.1662, with some manuscript corrections; proofs of other essays, also apparently unpublished, with corrections.
The title is in the hand of David Douglas.